How You Wrote Conversations With A Knife

The only thing that I “wrote” are the main melodic line and the simple thumping rhythm that make up the core of the song – Joe Renaud added his spice to the rhythm while keeping the simple pulsation cemented. We would play off of each other for the dynamics and the changes, and we would get fed the rest of the song from the audience at shows.

Hopefully, if you came to a show in 2008, you remember the song (for it had no name at the time). I’d start by asking the audience to think of one word or concept, and then tap into the collectively focused energy of the room and channel the lyrics and song structure from there. For me it was a public marriage of my spirit and music connections – and I’d like to think that for you it was, at the very least, moving.

In short, people loved it – and when it came time to record a demo of new songs last year, I really wanted to record this one. Capturing the same feel and intensity of a life improvisation, let alone one that was channeled through the audience’s energy, was a challenge to put together- and when the time came I just had to say “fuck it, it’s a demo”.

Well I think we fucking nailed it. And when I say we, I truly mean the big whole fat mass of collective “WE” (that includes you bucko). I’m just your medium on this one. It’s simple, haunting and beautiful.

If you came to a show in 2008, you wrote this with me. Your thoughts, energy, and feelings are in it. And for that I thank you. And, no, it doesn’t mean you’re getting any of the royalties so suck it.

Thanks again, and I’m looking forward to collaborating more with ya. Make sure to go to the music page to stream or download Conversations With A Knife, or just right click here and save it to your computer.

If You Missed it the First Time Around – Download Kingdoms

And better yet, you don’t even have to pretend to be friends with Microsoft to do so. Just go to my brand spanking new music page by clicking here. Find Kingdoms under the Downloads section, right-click and save it to your computer.

I’ll be putting out songs from this session over the next few weeks – so I’ll check in on you soon to make sure you’re listening and showering and brushing your tooth – yeah, I like to think my fans have one tooth they brush over and over again until it’s got more shine than a blood diamond.

see ya soon

-pheroze

Demo 2009

In the summer of 2009, Pheroze went into the studio to record and flesh out 7 song ideas for his new album. This quick two day affair showcases the direction his new material is headed. Stay tuned to this space as he’ll unleash some of the tracks from this session periodically!

Engineering and mixing by Clay Holley

All songs written by Pheroze

Vocals and guitars – Pheroze

Drums – Joe Renaud

Bass – Joe Pepitone

Driftwood

Driftwood is Pheroze’s debut solo album.

Credits:

Voice, Guitar, Bass, Esraj, Gopichand, Dhol, Khartal, Chimta, Ghungharu, Khanjari, and Manjira performances on all tracks by Pheroze Karai

Drum performances on all tracks and Maracas and Tambourine on ‘Never Lie to The Pavement’ by Dante Renzi

Produced and Recorded by Pheroze Karai

Mixed and Recording consultancy by Nick Cohen at Studio 203 in Miami Beach, FL

Drums Tracked by Nick Cohen at The Shack in Yonkers, NY

Mastered by Tom Chianti of Alanatomic Productions at The Cube Studio, NY